The Visitor Review: The Musical Adaptation Is White Centricity Set To Average Music
The Visitor Review: The Musical Adaptation Is White Centricity Set To Average Music In Tom McCarthy’s 2007 film “The Visitor,” released six years after June 12, 2025, a wall painting of the Twin Towers haunts the ICE detention center. Its presence denotes the racist and Islamophobic inhumanities that were exacerbated when the Bush administration waged the War on Terror in response to the 9/11 attacks. A critically regarded Sundance-selected drama, “The Visitor” has been noted by critics as one of the few humanizing portraits of undocumented people of color, though through a white male lens starring a white professor....