/Film UK - A Special Screening Of Moon, An Alice In Wonderland Controversy Exclusive, And Much, Much More
Coming to you weekly from my vantage point in good old Blighty, it’s Slashfilm UK. Anglos and Anglophiles rejoice as every Friday I’ll be bringing you a round up of news, links and coverage specific to the motion picture comings and goings here in the UK. Sometimes we’ll be talking about films that have already played in the US, other times it will be films that won’t make it to the US for a good while yet, and from time to time you’ll read about films that will never make it to the US at all.
TheUK Film Critics' Circlehad their annual awards on Thursday night and while they’ve not updated their official page at the time of writing, theyshouldhave by the time you read this. I can tell you that this ceremony sawKathryn Bigelowwin Best Director,A Prophetwin best Film andDuncan Joneswin Breakthrough British FIlmmaker.
Meanwhile,Moonwon the public vote to be selected as the Jameson Cult Film Club presentation on St. Patrick’s Day. Here’s a bit of blurb on what will make this a rather special screening:
Guests arriving will be greeted by an interactive Sci-Fi experience, taking a journey through the Royal Institution’s futuristic world to the Space Bar, where you’ll experience scenes and themes from the film. You can even see the actual space suit worn in the film as you enjoy complimentary Jameson cocktails and wait for the countdown until the film takes off.
There will be special surprises, linking back to the film, spread throughout the Royal Institution, so that on every floor you’ll come across something that will get you in the mood for the film.
Here’s hoping they’ve hired some twins, even triplets, to be on the staff. If you want tickets, they’re free butmove fast and book nowand if you are going, then try and say hi to me while you’re there.
Cribbing frommyTwitter account,Bleeding Coolrevealed where and when you’ll be able to see the newDr. Whotrailer in either 2D or big-screen 3D. Here’s the twist: the 3D trailer will show before 3D screenings of Disney’sAlice in Wonderlandand, as you’ve probably heard by now, there’s going to be a marked shortage of cinemas playing the film.
Here’s how that situation was standingone week ago:
It’s looking like the three biggest cinema chains in the UK – Odeon, Vue and Cineworld – might just boycottTim Burton’sAlice in Wonderland. Why? Because Disney are planning to reduce their theatrical window from 17 weeks to 12 – which means the DVD will be on shelves less than three calender months after the film opens. After Disney threatened the same thing withUpa similar boycott was threatened, though it was Disney who backed down there. This time, though, they say they really won’t.
Vue and Odeon have removed allWonderlandposters and standees from their cinemas and have stopped playing the trailers.
Since then, Disney have negotiated terms with Cineworld, so the film is back on for at least some of us. Your 3D options are now Cineworld and IMAX, I believe – though any independents with a 3D screen that will play host to the picture, please dolet me know– and there are still negotiations ongoing with Vue and Odeon, so fingers crossed.
Here’s a bit of a bombshell, however. This is a picture I took this week of promotional materials for theAliceBlu-ray and DVD, already on display in a branch of a well-known chain store. Just to be absolutely clear: this is a piece of marketing for the Bluray and DVD more than two weeks before the cinema release.
Makes a change from the old “Only in Cinemas” claim anyway.
This display would appear to be a mistake and the store probably shouldn’t be doing this yet, but how come they’ve even got the materials on hand? Ooops. Somebody seems to have gotten something wrong.
Talking of 3D,Skyhave commissioned one of their first 3D TV shows and it’s going to be the series finale ofPineapple Dance Studiosand, very possibly a Christmas special too.Broadcastalso report that the entire second series ofGot to Dancewill be in stereovision too.
The BBC made the announcement at the Mobile World Congress this week that theiriPlayeris coming to the iPhone and iPad. Hallelujah!
TheBFIhave posted eleven and a half minutes of theirPhilip RidleyQ&A online. Alan Jones is questioning the director aboutHeartlessright after an early screening of the picture.
BBC Films are developing a picture on theSebastian CoeandSteve Ovettrivalry – thinkChariots of Firebut set in the 80s.Screen Dailyquote producers Joanna Anderson and Vicky Licorish:
It is the British Olympic story which also gripped the US. You were either an Ovett person or a Coe person, and that’s what makes it such a great character piece.
And yes, that is the same Vicky Licorish that you remember from kids TV.
Here’s an exclusive deleted scene fromYouth in Revolt, featuring Michael Cera, Zach Galifianakis and some animation.
ColindirectorMarc Price’s next film isThunderchild, a horror-war movie about airmen battling a beastie on their plane.Screen Dailyreport that production will begin in June.
Momentum have take the UK rights toRed Hill, an Australian revenge film that, unsurprisingly, has a reputation for being rather brutal. Here’s the trailer.
Red Hilldirector Patrick Hughes also made the short filmSigns, which is best viewed onhis official site. He certainly seems to be a talent to watch.Warner Bros. have signed a deal with Odeon and UCI cinemas to subsidise the roll out of digital screens in their sites across the UK.
As well as directing the first fewDeath Wishpictures and a whole load of other rubbish I could never enjoy, even ironically,Michael Winneris a supposed connoisseur of good food. His latest TV show will see him visiting members of the public and testing their cooking. Oh dear. Look out for the rat poison, Mike.The Daily Mailcall him “the Simon Cowell of the kitchen” – sounds about right.
Here’s just one page fromArrow in the Head’s preview of the free Bub comic that will come packed with the new UKDay of the DeadBlu-ray that I’ve been banging on about.
The UK 3D fantasy adventureWatchmen of Hellgateis in production now. Amongst the cast areChristopher Lee,Warwick Davis,Sylvester McCoyandTom Savini.Quiet Earthscored some concept art, a little of which you can see below. Here’s the official synopsis:
Watchmen of Hellgateshows the aftermath of a world in which Hitler won the war. The year is 2084, the place is London and a new big brother is watching. This is a totalitarian world where the Nazi Party rules. The new chancellor is guided by Hitler, who lives on as a computer program after his thoughts and ideas were downloaded.
A vigilante resistance unit called the Watchmen were born to subvert the state, lead by five common man heroes. From their secret hideout in the Hellgate Hotel, they orchestrate mayhem until their leader is captured. Then, they must enlist the help of Captain Nemo and the Nautilus in order to burrow underground in an attempt to rescue their Watchman leader.
Amazing – it sounds like an epic mish-mash of dozens of fantasy tropes, many of them rather familiar to fans of Alan Moore. Hopefully it will have it’s own ideas too…
The Telegraphhave some on-location footage ofClint EastwoodandMatt DamonfilmingHereafterat London’s Charles Dickens Museum.
The UK Blu-ray and DVD ofParanormal Activityare significantly better dressed than the other editions already available around the world. As well as the ten short films that won the “Film Your Own Paranormal Activity” competition, as seen on thePrepare to be Scared YouTube channel, there’s commentary tracks fromOren Pelion both the film and the alternative ending. The discs hit on March 22nd. I’ll let you know if the Blu-ray is US friendly as soon as I find out.
It would seem from theBBFCthatRoman Polanski’s new picture is going to keep the title ofThe Ghostin the UK, as per the original novel, and not becomeThe Ghost Writeras in the US.
Eureka have announced that they will be releasing the newly revealed, restored version ofFritz Lang’sMetropolisto UK cinemas ahead of a DVD and Blu-ray release on their astonishingMasters of Cinemalabel. Perfect – and I can’t wait.
Kick-Asshas moved forward to March 26th in the UK, while the US release remains April 16th. Good for us! Meanwhile, if you want to win a one-of-a-kindKick-Assprize, then watch the following video for instructions.
Yep – you make like a real life Kick-Ass (well, to a safe and legal point anyway) and you get immortalised in a movie poster that stars a comic book version of you.
The mysterious submit button that the video refers to is ontheKick-AssYouTube channel.
And, the round-out the week’s discussion ofKick-Ass, here’s the UK-exclusive Hit Girl poster.
In case you missedthe news earlier in the week,Irvine Welshhas castSean BeanandDougray ScottinThe Magnificent Eleven. The film will be:
A modernization of the classic western in which the Cowboys are a struggling local amateur soccer team, the Indians run a nearby Tandoori restaurant and the bandits are a group of menacing thugs led by a maniac known simply as ‘Blonde Bob’.
Let’s stick with Sean Bean for a moment. He’s got a picture coming calledCa$h. It’s a crime thriller in which he plays twin bad guys menacing a poor little couple played byVictoria ProfetaandChris Hemsworth, aka the man who will beThor.
I’m giving you the chance to win one of five pairs of tickets to a screening ofCa$hon Monday March 1st. Brilliantly, the screening is taking place at the Odeon in Sheffield, so finally I can offer something to people outside of London.
To win, all you have to do is watch the following behind the scenes clip and tell mevia e-mailwhat the director claimsSean Bean’s accent would do the dialogue.
Obviously, you need to be able to attend the Sheffield Odeon on March 1st but you’ll also have to be over 15 years of age to win.
TheJohn ShuttleworthmovieSouthern Softiesis headed to DVD on March 1st. Here’s the official list of special features:
Ireviewed the filmjust ahead of it’s limited theatrical release last year and rather liked it. The DVD will probably be worth it just for the unheard song.
Katalina Varga’s writer-directorPeter Stricklandis planning a rather interesting-sounding horror fim set in an Italian recording studio.Screen Dailysay:
Another upcoming horror film from the UK will be The Ghost of Slaughterford. This will be directed byIan D, Fleming, the second unit director onCenturion, and produced by that film’s boss manNeil Marshall. The Hollywood Reporterdescribe the premise like this:
The story of a recently widowed novelist who retreats to a rented mansion in the village of Slaughterford to compose a new novel. She is met by local residents, who all warn her against staying in the house, but she resolves to stay before encountering a ghost. But the locals become the ones to fear.
The first Charlie Chaplin pictures to hit Blu-ray will be Park Circus' discs ofThe KidandThe Great Dictator, hitting UK shelves on May 10. I’ll be interested to see the restoration work.
Currently shooting at Pinewood is the rather lush-looking historical dramaKatharine of Alexandria. There are three trailers onthe film’s official site.
Here’s the trailer forDavid Baddiel’sThe Infidelwith Omid Djalali, Matt Lucas and Miranda Hart. It hasn’t gathered as much hype and fuss asChris Morris’Four Lionsbut it doesn’t seem bad at all.
The film hits UK cinemas on April 9.
Remember the scenes inEdgar Wright’sSpacedwhen everything went into Woo-motion for a gun-less gun fight, everybody shooting everybody else with their fingers? AFacebook communityare planning a London Flash Mob to recreate the scene on an epic scale:
A re-enactment of the famous scene inSpaced. The flash mob will happen on March the 20th on a weekend and will be at a as yet unannounced location in Zone 1 (London)
Lets make this one to remember :)
PS: PLEASE DO NOT BRING PLASTIC GUNS/WEAPONS TO THE EVENT, WE DON’T WANT TO BE SURROUNDED BY ARMED POLICE.
My home viewing for the week has beenDisney/Pixar’s splendid Blu-ray ofUp. With most movies it seems like Blu-ray offers the jaw-dropping showcase for the film itself, but with Pixar pictures it’s almost like the opposite is true too. You haven’t given your HD TV a proper work out until you’ve runRatatouille,Wall-Eor, now,Upthrough it.
Like many recent Disney releases, the film comes on one Blu-ray disc and one DVD, meaning that you also have a standard definition copy for when you’re on the go, or if you still need to take the leap into a HD set up at home. In many cases I suspect the DVD will be the version that the kids are allowed to play with while Mummy or Daddy keep the BD disc put away nice and scratch-free for themselves.
Reviewing the film at this stage is virtually pointless, though I have to say that I’m not convinced this is a major Pixar work. Widely acclaimed by many to be their best film to date, I’m thinking this reputation rests mainly on a few standout sequences. Most notable of these is the prologue at the beginning. Two bonuses with home viewing – one: you may watch this tremendously heart-breaking sequence over and over again, wailing like a baby; two: you won’t be in public at the time.
Even a lesser Pixar, however, is a breathtaking work and the film is never less than gorgeously visualised.
The Cine-Explore feature on the BD shares the same commentary track as the plain audio supplement on the DVD, which is good for DVD users, I guess. Nonetheless, I miss the extended commentaries available on other Pixar BD discs.
During the Cine-Explore, the movie is overlayed with a series of picture-in-picture images and clips, including a great many concept drawings and several storyboard sequences. It goes some way to compensating for the lack of a meaty “Making Of” piece, but I’m still thinking both would have been ideal.
There’s a rather appropriate Easter Egg hidden in the menus too. CalledThe Egg, it details an abandoned subplot that would have shifted the film’s emphasis a little.We’ve discussed this excised bit of business before, but the Blu-ray feature obviously offers more information.
The best extra material, though, would be the short films. There’sPartly Cloudy, which played before the film in cinemas, and also a special side-story in the vein of, say,Jack Jack AttackorBurn-E, that gives usDug’s Special Mission. It’s a Roadrunner-esque gag piece that doesn’t really live up to the better Looney Tunes but does still raise some laughs and then, when you’re least expecting it, pay off with a beautiful, sweet conclusion that’s surprisingly affecting. Well, for dog lovers at least.
Like almost everybody else on planet Earth, I strongly recommend snapping up an Up.
We’ll end with a clip from Leap Year, one week away from UK cinemas. It’s basically an important bit of set-up. Anybody else think it ends rather abruptly?
